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Lizzy Enders’s father-daughter relationship with her father

The Staircase

Lizzy Enders’s relationship with her father, Mr. Enders, is defined by a separation she experiences as abandonment and by her continuing, conflicted desire to be wanted by him. His letter offers a possible future together at the Santa Gertrudis Ranch, but its businesslike account of employment and cattle does not give Lizzy the apology or reassurance she needs. Writing back forces her to name what she has been unable to settle: she resents his leaving, yet still hopes he means to bring her into his life.

Separation and the First Letter

By the time a letter from Mr. Enders reaches Lizzy at school, his absence has become inseparable from her grief. She thinks he left her just when she needed him most, and the sight of his familiar handwriting makes the letter itself feel painful to hold. Its formal address, Miss Elizabeth Enders, brings his presence close without repairing the distance between them. Lizzy accepts the letter, but not easily; she does not want to read a message from a father who has not first acknowledged what his leaving did to her.

The letter reports that Mr. Enders is on his way to Texas. He had set out along the Gila Trail intending to go to Colorado, then met a drover who had returned from taking cattle north for the Santa Gertrudis Ranch. The ranch’s owner, King, needed experienced men, and Mr. Enders changed course for the prospect of well-paid work. He describes the ranch as the biggest in the Southwest, its 600,000 acres, and the need for a foreman to hire and oversee responsible men driving some 5,000 steers to Kansas. The expected annual pay is more than $5,000. To Lizzy, the abundance of detail about cattle, profits, and work makes the letter sound less like an attempt to reconnect than an account of a new business opportunity.

His news is not wholly without a place for her. Mr. Enders says that, once she has completed her education, she can come to live with him at the ranch; if he gets the job, he expects to have a small hacienda of his own. But Lizzy registers that there is only one line about her and no expression of regret for leaving her. The future invitation therefore comforts and wounds at once: it offers the possibility of belonging, while leaving her unsure whether he is making a real request or merely including her as an afterthought.

What Lizzy Needs to Hear

Lizzy explains her anger to a kind man who listens as she recounts the letter. She objects that Mr. Enders writes about his Texas plans and earnings without saying he is sorry he left her, and she cannot bring herself to write in response. Her complaint is precise: the issue is not simply that her father has gone away, but that he has not named the hurt or accepted responsibility for it. She has waited for an apology, and the silence around that injury makes the promise of a future home difficult to trust.

The man offers a different reading of Mr. Enders’s emphasis on work. Fathers, he suggests, may worry intensely about finding employment and may let work appear more important than their families, without loving their families less. He also tells Lizzy that some people struggle to say plainly what they regret, and that a letter need not contain forgiveness to matter. Lizzy resists the reassurance. In her view, people do not have to leave unless they choose to, except when death takes them; her mother’s death and her father’s departure are not the same kind of loss. She fears that writing could make it seem as if she accepts his leaving as unimportant.

The exchange does not make Lizzy forgive her father. Instead, it clarifies what she is waiting for: not a transfer of money or a description of a job, but recognition that he knows what he has done. The advice that a letter could be enough, even without forgiveness, gives her a way to answer without pretending that the breach is healed. Their relationship remains suspended between her right to withhold reconciliation and the possibility that communication might keep it from closing altogether.

Lizzy Writes Back

When Lizzy finally begins a letter, its conventional affectionate opening feels false to her. She thinks of the word dear as an expression she does not mean, and admits to herself that she is writing partly to make the carpenter happy and perhaps persuade him to stay. That practical motive complicates the letter’s apparent address to her father: the writing begins as something she has promised to do for another person, not as an uncomplicated movement toward Mr. Enders.

Yet the letter becomes the clearest account of her own needs. Lizzy says she hopes her father has found work at the Santa Gertrudis Ranch and imagines his duties there, asking herself whether he will be supervising cattle drives and working alongside veterans from either side of the war. She hopes Texas can be a new beginning for him. At the same time, she tells him that life with Elinora has become difficult and that she has written to Uncle William about the possibility of returning to Independence, where she could go back to school and keep house for him. The alternative matters: she is not simply waiting passively for her father to decide her future.

She returns directly to the ambiguity in his invitation. He has said she may live with him after her education, but she does not know how long she can remain at school or whether he genuinely wants her there. She asks him to be plain. If she comes, she could bring Ben, and she imagines that the horse would suit ranch life; she also mentions her blind kitten and hopes she might invite Cassie the following summer. These details make her imagined future concrete, but every possibility is conditional on whether Mr. Enders truly wants her and is not saying so merely to sound kind. She warns that she will go to Uncle William first if her father cannot make up his mind.

Her suspicion persists even as she writes. She imagines that Mr. Enders may be away on cattle drives and wonders why he would want her around if he can earn so much money working. But putting the question on the page brings her own feeling into focus: until she started writing, she did not fully know what she felt, and what emerges is the hope that he wants her. She signs as his affectionate daughter. The closing does not erase her anger; it shows that affection and resentment continue to coexist.

An Unresolved but Enduring Bond

The relationship’s movement is not from hurt to easy reconciliation, but from an unspoken grievance toward a more explicit demand for honesty. Mr. Enders’s letter offers a possible reunion after Lizzy’s education, while his focus on earning and ranch work leaves her uncertain about whether that future is genuinely meant for her. Lizzy’s reply tests the offer by asking for clarity and asserting an alternative with Uncle William. Her writing makes her longing visible without requiring her to claim that she has forgiven her father.

Later, Lizzy counts the fact that her father wanted her among the miracles she has witnessed at Our Lady of Light. That recognition gives the relationship a different emotional weight: after all her doubt, his desire for her to come to him matters deeply. The novel’s ending does not provide, in this moment, a full account of their reunion or show that every injury has been repaired. Instead, it leaves the father-daughter bond defined by the fragile but consequential distinction between an invitation that might be merely polite and a genuine wish to share a life. Lizzy’s hope survives because she has asked her father to make that distinction plain.